367. Sound FX Recording Studio Effects

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367. Sound FX Recording Studio Effects

 

 

CATEGORY:Music, Mastering,Mixing & Writing – 400 Courses

COURSE NUMBER: 367

FEES: 555/- INR only

CERTIFICATE VALIDITY: Lifetime

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BOOKS/ MANUALS: Pages

Syllabus

Acknowledgements xv
Introduction xix
Section 1: Sound — Signals, Systems, and Sensation 1
Chapter 1: Audio Waveform 3
1.1 Medium 3
1.2 Amplitude versus Time 4
1.2.1 Amplitude Confusions 6
1.2.2 Time Implications 8
1.3 Amplitude versus Distance 9
1.4 Amplitude versus Frequency 10
1.5 Complex Waves 12
1.5.1 Square Waves 15
1.5.2 Sawtooth Waves 16
1.5.3 Triangle Waves 19
1.6 Decibel 19
1.6.1 Logarithm 21
1.6.2 Ratios 24
1.6.3 References 29
1.6.4 Zero Decibels 31
1.6.5 Negative Decibels 32
1.7 Dynamic Range 32
1.8 Sound Misconceptions 35
1.8.1 Mistaking the Message for the Medium 35
1.8.2 Don’t Picture These Sketches 35
Chapter 2: Signal Flow 39
2.1 Types of Sessions 39
2.1.1 Basics 40
2.1.2 Overdubs 42
2.1.3 Mixdown 45
2.1.4 Live to Two 46
2.2 Console Signal Flow 47
2.2.1 Channel Path 48
2.2.2 Monitor Path 48
2.2.3 Split Console 49
2.2.4 In-Line Console 51
2.3 Outboard Signal Flow 55
2.3.1 Parallel and Serial Processing 55
2.3.2 Effects Send 57
2.3.3 Insert 62
2.4 FX Decision Making 63
2.4.1 FX Procrastination 64
2.4.2 FX Assertion 64
2.4.3 FX Undo 66
2.4.4 FX Innovation 67
Chapter 3: Perception 71
3.1 Preconscious Listening 71
3.2 Audible Sound 72
3.2.1 Masking 78
3.2.2 Masking Reduction 81
3.3 Wishful Listening 85
Section 2: Amplitude Effects 87
Chapter 4: Distortion 89
4.1 Distortion of Amplitude 89
4.1.1 Harmonic Distortion 91
4.1.2 Intermodulation Distortion 95
4.2 Sources of Distortion 96
4.3 Motivations for Distortion 97
4.4 Distortion Dos and Don’ts 98
4.5 Selected Discography 101
Chapter 5: Equalization 103
5.1 Spectral Modifi cation 104
5.2 Parameters for Spectral Modifi cation 106
5.2.1 Frequency Select 106
5.2.2 Cut/Boost 106
5.2.3 Q 107
5.2.4 Multiband EQ 109
5.2.5 Take Away the Q 109
5.2.6 Take Away the Frequency 111
5.2.7 Take Away the Knobs 111
5.2.8 Some Knobs Are Switches 112
5.2.9 Shelving EQ 113
5.2.10 Filters 114
5.3 Applications 116
5.3.1 Technique 116
5.3.2 Fix 118
5.3.3 Feature 123
5.3.4 Fit 125
5.3.5 Special Effects 127
5.3.6 Audio Ear Training 129
Chapter 6: Compression and Limiting 131
6.1 Parameters 132
6.1.1 Threshold 132
6.1.2 Ratio 132
6.1.3 Attack 133
6.1.4 Release 134
6.1.5 Make-Up Gain 135
6.1.6 User Interface 135
6.2 Technologies 136
6.2.1 Tube Compressors 137
6.2.2 Optical Compressors 137
6.2.3 VCA Compressors 138
6.2.4 Digital Compressors 138
6.3 Nominal Application: Dynamic Range Reduction 139
6.3.1 Prevent Overload 139
6.3.2 Overcome Noise 140
6.3.3 Increase Perceived Loudness 141
6.3.4 Improve Intelligibility and Articulation 142
6.3.5 Smooth Performance 143
6.4 Advanced Applications 144
6.4.1 Altering Amplitude Envelope 145
6.4.2 Ambience and Artifacts 147
6.4.3 De-Essing 147
6.4.4 Distortion 149
6.5 Advanced Studies — Attack and Release 151
6.5.1 Defi nitions 151
6.5.2 Visualizing Attack and Release 153
6.5.3 Parameter Interdependence 157
6.5.4 Program Dependence 159
6.5.5 Pumping and Breathing 160
6.6 Learning Compression — Some Personal Advice 161
6.6.1 Unnaturally Diffi cult to Hear 161
6.6.2 Hype and Hyperbole 162
6.6.3 Imitation 163
6.6.4 Multiple Personalities 164
6.7 Achieving Compression Success 164
6.8 Selected Discography 165
Chapter 7: Expansion and Gating 167
7.1 Increasing Dynamic Range 167
7.2 Parameters 169
7.2.1 Threshold 169
7.2.2 Slope 170
7.2.3 Attack 171
7.2.4 Release, Fade, or Decay 171
7.2.5 Hold 172
7.2.6 Range 173
7.3 Applications 173
7.3.1 Expansion 174
7.3.2 Noise Gating 175
7.3.3 Gating Through Waveform Editing 177
7.3.4 Gating 178
7.3.5 Keyed Gating 179
7.3.6 Ducking 183
7.3.7 Envelope Following 184
7.3.8 Tremolo 185
7.4 Selected Discography 187
Chapter 8: Volume 189
8.1 Volume Controls 189
8.1.1 Faders 189
8.1.2 Pan Pots 192
8.1.3 Mute Switches 193
8.2 Volume Applications 194
8.2.1 Balance 194
8.2.2 Ideal Level 197
8.2.3 Ideal Faders 200
8.2.4 Automation 200
8.2.5 Cross Fades 201
8.2.6 Fade Out 203
8.3 Selected Discography 203
Section 3: Time Effects 205
Chapter 9: Delay 207
9.1 Source of Delay 207
9.2 Signal Flow 208
9.2.1 Basic Features 210
9.2.2 Modulation 210
9.3 Long Delay 214
9.3.1 Calculated Delay 216
9.3.2 Echo 222
9.3.3 Support 223
9.3.4 Slap 223
9.3.5 Emphasis 225
9.3.6 Groove 226
9.4 Short Delay 227
9.4.1 Constructive and Destructive Interference 227
9.4.2 Comb Filter 231
9.4.3 Early Refl ections 235
9.4.4 Inevitable Combinations 238
9.4.5 Flanger 239
9.5 Medium Delay 241
9.5.1 Double Tracking 241
9.5.2 Chorus 243
9.6 Experimental Sessions 244
9.6.1 Experimental #1 244
9.6.2 Experimental #2 245
9.7 Summary 245
9.8 Selected Discography 246
Chapter 10: Pitch Shift 249
10.1 Theory 249
10.1.1 Pitch Recalculation 249
10.1.2 Fixed Delay 250
10.1.3 Accelerating Delay 251
10.2 Applications 254
10.2.1 Side Effects 254
10.2.2 Special Effects 254
10.2.3 Surgical Effects 256
10.2.4 Obvious Effects 257
10.3 Selected Discography 260
Chapter 11: Reverb 263
11.1 Reverberation 264
11.1.1 Key Parameters 264
11.1.2 Reference Values 268
11.2 The Need for Reverb Devices 269
11.2.1 Multitrack Production 269
11.2.2 Isolation 270
11.2.3 Creative Microphone Technique 271
11.3 Sources of Reverb 271
11.3.1 Room Tracks 272
11.3.2 Acoustic Reverberation Chambers 272
11.3.3 Spring Reverb 276
11.3.4 Plate Reverb 280
11.3.5 Digital Reverb 284
11.4 Reverb Techniques 303
11.4.1 Sound of a Space 303
11.4.2 Non-Spatial Applications 310
11.5 Selected Discography 324
Section 4: Applied Effects 327
Chapter 12: Basic Mix Approach 329
12.1 Mix Challenge 330
12.2 Global Effects 330
12.3 Special Effects 331
12.4 Kick Start 332
12.5 Back Beat 333
12.6 Get Down 334
12.7 Chug On 335
12.8 Key In 336
12.9 Speak Up 336
12.10 Go Solo 338
12.11 Do It All 339
Chapter 13: Snare Drum FX 341
13.1 Sound 342
13.1.1 Possibilities 342
13.1.2 Goals 343
13.2 Recording 344
13.2.1 Close Microphones 344
13.2.2 Overhead Microphones 346
13.2.3 Room Microphones 349
13.3 Signal Processing 349
13.3.1 Equalization 350
13.3.2 Envelope 350
13.3.3 Image 353
13.3.4 All of the Above 355
13.4 Summary 356
13.5 Selected Discography 356
Chapter 14: Piano 359
14.1 Mother Instrument 359
14.2 Defi ning the Piano 360
14.3 Effects 361
14.3.1 Spectrum 361
14.3.2 Image 363
14.3.3 Envelope 366
14.4 Outside the Box Behavior 368
14.4.1 “Acoustic” Piano 368
14.4.2 Digital Piano 369
Chapter 15: Automated Mix 373
15.1 Unautomated Mixing 373
15.2 Automated Mixing 375
15.2.1 Faders and Cuts Automation 375
15.2.2 Everything Automation 379
15.2.3 Snapshot Automation 381
15.3 Mix Modes 381
15.3.1 Write or Read 381
15.3.2 Write: Absolute or Relative 382
15.4 Automation Strategies: Organizing the Infi nite Options 384
15.4.1 Phase I: Balance 384
15.4.2 Phase II: Signal Processing 384
15.4.3 Phase III: Cuts 385
15.4.4 Phase IV: Rides 386
15.4.5 Phase V: Tweaks and Special Effects 386
15.5 Playing the Instrument 386
15.5.1 Practice 387
15.5.2 User Interface 387
15.6 Caveats 391
15.6.1 Master the Gear Before It Masters You 391
15.6.2 Resist Temptation 392
15.6.3 Save Often 393
15.7 Summary 393
Bibliography 395
Index 397

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CATEGORY:Music, Mastering,Mixing & Writing – 400 Courses

COURSE NUMBER: 30

FEES: 555/- INR only

CERTIFICATE VALIDITY: Lifetime

CERTIFICATES DELIVERY: In 48 hours

……………………………………………………………………………………………………………………………………………………………………………………………………………………

 

Medifit  Courses Demo Certificate 

48 hours delivery

| International acceptance | Medical based | Job oriented | Lifetime validity | Most economical |

 

555 INR Demo Certificate – 2 months duration

Demo Certificate – 6 months duration

48 hours delivery after fees payment

48 hours delivery after fees payment

 

Medifit 48 hours Delivery

  Get your Certificates delivered by online mode in 48 hours after Fees payment. We try to deliver certificates in 24 hours, but the committed delivery hours are 48. Its,

Pay Today &
get Tomorrow

procedure, only by Medifit.

LIFETIME VALIDITY

Medifit issues Lifetime validity certificates for all Online Courses provided. No need to renew the certificates every 2 or 3 years. All Courses Certificates of Medifit are having Lifetime Validity. No need to renew these certificates every 2 or 3 years.

 

What makes the certificates of Medifit to get it recognized Internationally?

Vast number of students applying for Job in international market of Fitness through Medifits Online Courses Certificates. And most importantly, the Medical standards maintained, helps to acquire jobs internationally. This gives very strong International acceptance to Certificates of Medifit Courses.

 

ABOUT MEDIFIT ACADEMY CERTIFICATION COURSE:

Medifit Education Online Academy is an innovative, digital and engaging education platform that delivers fast track accredited courses and skills development courses instantly online, with no time limits, enabling individuals to study anywhere and anytime. We are proud to offer international standard courses that have helped our students build their careers across the globe.

HOW DO MEDIFIT ONLINE CERTIFICATE COURSES HELP?

Short term Professional Courses International Standards courses Opens Global opportunities Career defining Courses Skill Development Programmes Knowledge in short span Learn at your own pace Certification of Completion Immediate Earning Opportunities Positive Social Impact Optimistic Psychological Benefits Improved Standard of Living Study from anywhere & anytime Very Economical Fees